Bio

As a solo artist Julian James may be a relative newcomer on the scene, but he’s making up for lost time in a big way. From Tasmanian Jazz clubs to Byron Bay farmer’s markets, Victorian festivals to Adelaide jam sessions - it’s likely that Julian has stopped in there for a song and a drink (or two). He’s been on a constant tour cycle that’s seen him living out of his van for the past 18 months, and people are starting to take notice. 

Hot on the old timey heels of his recent ‘Silver Spade’ album, Julian takes his sound up a notch with new song ‘Looking For a Light’, a ramshackle ditty in the great honky tonk tradition that features a backing band made up of a who’s who of fine young Melbourne talent. Iseula Hingano of Blues Eyes Cry, Nadia Rose of Rambal, Rockabilly pianist extraordinaire Ezra Lee all lend a hand, and the full-blown horn section doesn’t hurt either.

 

SILVER SPADE

Everything about Julian James and his new album ‘Silver Spade’shouts the love of traditional blues for all to hear. His style is rooted in the old-time acoustic strummers of a bygone era, and he joins next generation artists such as Larkin Poe, Blind Boy Paxton and Pokey LaFarge in bringing authentic new voices to a style that has endured for 100 years. 

Still in his twenties, Julian James has spent most of his adult life on the road, first as front man of Blues festival heroes ‘Catfish Voodoo’ and on his own. ‘Silver Spades’ is the second album in his catalogue as a solo artist and Julian brings the experience of a seasoned performer and a fresh perspective to this set of traditional songs by artists like Ma Rainey and early Muddy Waters, as well as originals like the title track Silver Spade. 

Tales of love, loss and debauchery from 2018 sit happily with their ancestors from the 1930’s as James deliver his laconic vintage drawl from some porch or other. 

Says Julian of his love of old blues: 

“Catfish Voodoo played straight Chicago Blues, so I started with  Muddy Waters, Howlin' Wolf, and Willie Dixon; and then when I went out solo, I just kept going back in time and discovering people like Mississippi John Hurt, Leadbelly, Son House and knew that’s what I wanted to do.”